![]() ![]() Its properties can then be animated over time in the normal way. You can either drag it from the Effects & Presets panel directly to the layer in the composition window (a bounding box will appear showing you which layer it will be applied to) or, if you have many layers, you can simply drag it from the Effects & Presets panel onto the layer name. There are two ways of quickly applying an effect to a layer. Just like Photoshop, you apply your effect to a layer or group of layers, but unlike Photoshop, you use a mask to hide or show the effect rather than applying it to a selection in the first place. ![]() You can mask and apply filters in After Effects, tooĪfter Effects has a myriad of effects and filters for things like creating special effects, tweaking footage or correcting colours. Then you can animate either the adjustment layer, the mask (including feathering, opacity and shape) or both, by using the arrow drop-down to the left of the layer or mask name. Just like Photoshop, you can use After Effects' masking tools to only reveal part of the adjustment layer ( ctrl+Right-click on the Layer and choose 'Mask > New Mask' before drawing a freeform or set shape). The Adjustment Layer affects – like Photoshop – the layers beneath it in the stack. By going to 'Layer > New > Adjustment Layer' you set up a blank layer that you can then apply any effect to (by dragging the effect from the Effects and Presets panel directly onto the Adjustment Layer name in the Timeline). In After Effects, Adjustment Layers do the same thing but are much more flexible. ![]() You choose to add a new Adjustment Layer, then choose the type (Photoshop has preset options such as Brightness/Contrast, Hue/Saturation, different filters and so on) and adjust your opacity or create a mask as appropriate. Adjustment LayersĪdjustment Layers are probably something you're very familiar with in Photoshop – and in the image-editing app they work in a relatively formulaic way. In short, you can think of the timeline as your Layers panel in which you build up an animation or motion piece, just as you would a still in Photoshop. When importing a multilayered PSD file, you are asked whether you want to merge layers or select an individual layer – choosing to keep or ignore layer effects (you can add the equivalent of these in After Effects and animate them independently). Layers in After Effects can be animated independently, and you can animate properties such as position, scale, rotation and opacity by using the drop-down arrow next to the layer name on the timeline. But in After Effects they work in a different way: there's no Layers panel, so layers are dealt with on the timeline. Think of Adobe After Effects' timeline as equivalent to Photoshop layersĪ common feature across Photoshop and After Effects are layers. Bringing keyframes closer to one another will speed up the animation. Play back to see how it moves and experiment with different properties in the same way. So, with that in mind, import an image (JPEG, PNG or whatever) drop down the arrow next to the image name in the timeline, hit the stopwatch icon next to Position, drag the timeline marker to 01:00s and then move the image in the composition window. This means when you move a layer, mask and so on in the Composition window, your keyframe will be recorded at that time. You can also set the timeline to auto-keyframe (the stopwatch icon second from the right, circled in the screenshot). This enables you to set keyframes that determine such properties as position, opacity, scale and so on – meaning you can animate these over time. Next to each property is a stopwatch icon. Take a look at the After Effects timeline in the screenshot above: you'll notice there are layers just like Photoshop (this is explored in more detail below) along with details of the properties of that layer.
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